And the show happened very quickly after that. I love unrealized potential. But when I travel, I don’t really have any on me. Does this item bring me joy?”—but on a more existential level. But I find that a lot of the people that one becomes close with are often a product of circumstance: you’re all in the same shitty job together or something like that. The hard part becomes how to choose which stories we're going to give those slots to. I smoked for 12 years, and when I stopped, weed smoking took over. I used to get really creative about smuggling back in the day. I don’t know what it is about our process on High Maintenance—perhaps it’s because we have to reinvent ourselves almost every week. I think that translates over to my personal life. I don't need to do this. Does this person bring me joy? No one should be sitting in jail for selling weed, and for giving easier access to people who need it. It was great that there was actually a procedure and a protocol. I’m writing a screenplay with my partner, Adele. I don’t know where I got it from. The way people smoke now feels out of control. High Maintenance is an American anthology comedy-drama television and web series created by ex-husband and wife team Ben Sinclair and Katja Blichfeld. It seemed like fun and games. But just considering what anyone would think was annoying. I’m the person always purging their home. It’s alarming to me to see all these people who are just about the bottom line. We’re gonna do it like this.” That’s kind of the less exciting part of directing. I think that translates over to my personal life. I do think social media played a part. ELLE.com got on the phone with co-creator, writer, and director Blichfeld to talk about the series’ run, vulnerability in storytelling, and telling meta tales. I love meeting people, seeing something in them, maybe seeing that they're not doing the thing they could be doing that they would be good at. I have a lot of weird guilt about it. They’re going to put small farmers out of business, potentially. We talk more than we write when we're sitting in that room, hours and hours of conversation and little detours and off-roading that eventually lead back to these things. Certainly the New York that I know and love. I don’t consider myself a performer at all. And Ben. I would never describe my parents as ambitious or striving. I certainly wasn’t for a long time. I’m super fatigued by it, even though, to me, it’s not that strange to live in “public.” I don’t have a lot of issues around privacy generally. Looking for some great streaming picks? This was the first season we've used an intimacy coordinator, as it is a relatively new position in entertainment. I love world-building. Then you’re just kind of like, “You here, you there. My ex who I was with before Ben—he’s now my real estate broker. But I've always felt like we could do better. We got lucky that Isaac Oliver wrote such a beautiful script to work with, too; he captured something really special. The thing about my job is that it takes up so much of the year, and I have so many things I want to do. I'm happy with the way we were able to showcase the importance of that job without feeling like a showbiz episode where we were getting into the nitty gritty of a job. It’s hard to pull him apart from that. And it got really super meta on that episode in particular, because Alicia [the High Maintenance intimacy coordinator] just so happened to bear some resemblance and have a similar demeanor to Abigail [Bengson], the actress playing the intimacy coordinator. We already knew what we were getting with Avery Monson, who plays Evan the asexual magician—we knew he was bringing a ton of empathy and kindness to the table, and really good acting.
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