Outside of The Devil’s Honey (one of his best movies, but one which isn’t really horror and therefore won’t appear on this list), none of his post-illness films have the power or precision of his previous output. What makes City of the Living Dead so effective is the way the story is told, all soft focus and misty grounds and the threat of violence at any given moment. As a voice from dead, he and his daugther try to fi... A Canadian archaeological team in Sicily accidentally unleashes vengeful ghosts of five demonic nuns whom were murdered 500 years earlier and the ghosts now set out to kill the group and townspeople a... A horror film director is stalked by a mad psychiatrist/serial killer bent on killing people to model the killings after the director's gory death scenes from his movies. Aenigma (1988) – Only a director like Lucio Fulci could make a movie as weird as Aenigma and have it still feel like he’s on autopilot. Originally made for Italian television but deemed too violent to air, this was Fulci’s second consecutive film to be released direct to video following Sodoma’s Ghost the year prior. He was interested in art, music, film, soccer a… All rights reserved. Now, someone – or something – is alive in the basement, and home sweet home is about to become a horrific hell on earth. The use of violent clips from his films, the way its cut together, and Fabio Frizzi’s acid jazz/rock score all combine for a pretty unnerving experience, which is appropriate considering the movie’s depiction of a descent into madness. Lucio Fulci shares the “godfather of gore” title with fellow director Herschell Gordon Lewis. Though some Fulci fans might bristle at my naming The Beyond as his best movie, it’s the one that combines everything that’s great about him and his work: the mounting sense of dread, the shocking explosions of gore, the nightmare logic, the unforgettable visuals, and Fabio Frizzi’s best score. * Radio Spots Technically, this probably shouldn’t rank quite so highly, but quite frankly there are just some things that simply have to be seen to be believed, even if it isn’t for the right reasons. Back in 1985, if you wanted to watch Bloodsucking Freaks or Hollywood Chainsaw Hookers, you had one and only one option - your local video store. In a genre so often characterized by sameness, his films are like no one else’s. The plot thickens further when a woman, identical to his spouse shows up, seeing George thrown in jail before either he, or the viewer has any idea what’s going on. horror movies, absurdnoise, cult horror, italian horror, lucio fulci # horror movies # absurdnoise # cult horror # italian horror # lucio fulci. City of the Living Dead (1980) – A very close second for me, City of the Living Dead (aka Gates of Hell) is maybe the best example of Fulci’s talent for creating sustained nightmares – movies that make little to no logical sense but which bombard the viewer with atmosphere and gruesome imagery from which there is little relief. * Guillermo del Toro Intro Director Lucio Fulci's 1981 horror film The Beyond is one of the greatest Italian horror movies ever, and its ending imagery is downright haunting. * Audio: English: Dolby Atmos; English: 5.1 DTS-HD; English: 1.0 DTS-HD; Italian: 7.1 DTS-HD; Italian: 1.0 DTS-HD; French: Dolby Digital 1.0 Even Carlo Cordio’s score feels like the stuff of early ‘80s easy listening radio. * When The Earth Spits Out The Dead – Interview with Stephen Thrower, Author of Beyond Terror: The Films of Lucio Fulci * ZombiItaliano Interviews with Special Make-Up Effects Artists Gianetto De Rossi&Maurizio Trani and Special Effects Artist Gino De Rossi Touch of Death (1988) – One of the rare comedic Fulci films since his early days (he got his start making Italian sex comedies), Touch of Death (aka When Alice Broke the Mirror) takes much of the director’s mean-spirited ugliness and attempts to wring laughs from it. His mother Lucia was from a very poor but reputable Sicilian, politically anti-fascist family, from Messina, Sicily. The spirit of a comatose teenage girl possesses the body of a newcomer to her girls boarding school to enact bloody revenge against the elitist coeds responsible for her condition. * Notes on a Headstone Interview with Composer Fabio Frizzi There are too many good moments, though, for the film to be totally ignored. Find, rate and save the scariest Lucio Fulci movies right here, right now. He attended the Naval College in Venice, and near the end of WW2, completed his studies back in Rome at the Giulio Cesare State Classical School. Lovecraft, Best Horror Movies on Amazon Prime Right Now, Coming Next Week! And some of these horror film covers could be pretty damn graphic. Blue Underground s acclaimed restoration of THE HOUSE BY THE CEMETERY, scanned in 4K 16-bit from the original 35mm 2-perf camera negative, is now presented with Dolby Vision HDR and a new Dolby Atmos audio mix, fully loaded with hours of Extras! amzn_assoc_design = "enhanced_links"; Here, a strange illness is sweeping across the populace, killing and then reanimating their corpses, naturally this hopeless situation only escalates, with the zombie numbers increasing whilst what few survivors there are find themselves slowly picked off one after the other. horror, crying, zombies, shudder, lucio fulci # horror # crying # zombies # shudder # lucio fulci. amzn_assoc_placement = "adunit"; amzn_assoc_marketplace = "amazon"; [Review] Delightful Monster Mash ‘Love and Monsters’ Embraces the Comedy-Horror Spirit of ‘Zombieland’, ‘Happy Halloween: A Halloween Kills Fan Film’ Brings the Terror and the Brutal Kills [Video], Here’s How to Get Your ‘Friday the 13th’ Blu-ray Collection Replacement Discs from Scream Factory, ‘Hell Fest’ Director and FaZe Clan Conjure Up Evil Clown Horrors in Feature Film ‘Crimson’ [Trailer]. This often could involve a good deal of shame and humiliation as you were bound to run into somebody you knew at the precise moment you picked up the most sick and disturbing VHS in the entire store. Here, Fulci takes a detour in the direction of countryman Sergio Leone with a spaghetti western of his own, though as one might expect, it doesn’t exactly play by the rules. Possibly Fulci’s most erotic piece of film making, Lizard in a Woman’s Skin is a movie that deals with repressed lesbianism set against the backdrop of a swinging London in its heyday, and brought to life with a typically magnificent score from the legendary Ennio Morricone. Of course, that’s why there’s a comments section, so please remember to share your favourite Fulci moments with the community. There, Dario Argento edited George Romero’s masterpiece, Dawn of the Dead, added in a soundtrack from his prog-rock mainstays, Goblin, and released the film there as Zombi. Ultimately, Four of the Apocalypse is an enjoyable story of redemption filled with larger than life, almost caricature-like takes on western clichés, and as such, it definitely ranks among the very best that Fulci’s oeuvre has to offer. I remember renting Color Me Blood Red with an eviscerated victim on the cover with…, When I was in high school the only video store around was some dude's house that he had converted into a VHS/Beta rental. 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It opens with a seemingly abandoned sailboat drifting into the harbour area in New York, naturally something evil lurks aboard, and it promptly slaughters a harbour patrol officer, his partner managing to shoot the creature, sending it tumbling into the gloomy depths below. * Flesh Eaters on Film Interview with Co-Producer Fabrizio De Angelis 2. Now Blue Underground s acclaimed restoration of THE NEW YORK RIPPER, scanned in 4K 16-bit from the original 35mm 2-perf camera negative, is presented with Dolby Vision HDR and a new Dolby Atmos audio mix, gushing with hours of Extras! Of course, such redemption is not for all of us, and Stubby leaves them to take his revenge upon the men who wronged him, discovering that the Mexican gunman (Chaco) was in cahoots with the sheriff from the outset. The New York Ripper (1982) This is the only movie of Fulci’s where I’ll offer a word of caution. Those who would contest Fulci’s technical merits as a filmmaker clearly have never seen The Psychic. What follows is a story of passion and jealousy that sees George convicted, and facing the death penalty for the murder of his wife, but did he really do it? Suddenly, the clocks in the house begin to run backwards, and the dead come back for revenge! From The Virgin Suicides to On the Rocks, IMDb dives into the cinematic stylings of Oscar-winning director Sofia Coppola. * Subtitles: English SDH, French, Spanish, Portuguese, German, Italian, Danish, Finnish, Dutch, Swedish, Russian, Korean, Japanese, Mandarin, Cantonese, Thai, English for Italian Audio amzn_assoc_ad_type = "smart"; HD Report, © Copyright 2020 HD Report All Rights Reserved, Lucio Fulci Horror Films releasing to 4k Ultra HD Blu-ray, 'Lawrence of Arabia' releasing to 4k Blu-ray in…, Back to the Future films releasing to 4k Blu-ray…, Alfred Hitchcock Films Remastered for Ultra HD…, Deal Alert: Sony Noise Cancelling Headphones Save $71.99. HD Report has been a. It’s a giallo about a killer who is mutilating and murdering women, targeting their bodies and ways that are both ugly and highly sexualized. The Italian maestro Lucio Fulci is a well-regarded creative tour de force by horror fans, and whilst his rather extensive oeuvre takes in all manner of genres, he is still oft overlooked by the mainstream, leaving him as, arguably, one of the most underrated director’s in the history of the film industry. An awkward college student (Milijana Zirojevic) is the victim of a cruel prank and winds up in a coma, but manages to psychically take revenge on her tormentors while unconscious in her hospital bed. Full disclosure: it took me several years to “get” Fulci. Seriously, signup for our newsletter or Freddy will hunt you in your dreams. Embossed Slipcover (First Pressing Only). Lucio Fulci was born in Trastavere, Rome on 17 June 1927. Discover every Lucio Fulci horror movie at AllHorror.com. This effort, released in 1975, was actually based on two stories written by Bret Harte (“The Outcasts of Poker Flat” and “The Luck of Roaring Camp”) which screenwriter Ennio de Concini combined to create a dour, yet deeply moving whole. amzn_assoc_linkid = "c2b3f798d3c2d60f5dc90f4de236671d"; In Italy, it was considered the ‘unofficial sequel’ to DAWN OF THE DEAD. * Deadtime Stories Interviews with Co-Writers Elisa Briganti and (Uncredited) DardanoSacchetti
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