Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me; your rod and your staff, they comfort me. J ‣ Geocoding This brings me back, full circle, to Rembrandt. Goya divided his canvas between the victims on the left and their executioners to the right. But he said to me, “My grace is sufficient for you, for my power is made perfect in weakness.” Therefore I will boast all the more gladly of my weaknesses, so that the power of Christ may rest upon me. ... And which now has been manifested through the appearing of our Savior Christ Jesus, who abolished death and brought life and immortality to light through the gospel. One lament was unexpectedly, horribly prophetic. They wonder why we dwell on these dark aspects of life when we might focus instead on moments of beauty, serenity, or joy. In heaven there will be no more war; no more oppression and degradation; no more sin and sorrow and death. It is reproduced by kind permission of the publisher. One day, after this life is done, in the next life.... the earth shall be full of the knowledge of the LORD, as the waters cover the sea, I create new heavens and a new earth: and the former shall not be remembered, nor come into mind, as the new heavens and the new earth, which I will make, we, according to his promise, look for new heavens and a new earth. He subsequently channeled his passion and awkward intensity—qualities that so often made him seem frightening to others—into his pursuit of art. My thoughts as i read this scripture are that one day we will have no more pain nor sorrow. Goya’s painting memorializes the executions carried out in Madrid on that day in response to a popular uprising against Napoleon’s army the day before. Such symbols as they used (most notably Kollwitz’s use of the skeleton to represent death) served to underscore their understanding of human existence as it is. ESSAY: “Where Sorrow and Pain Are No More” by Margaret Adams Parker, Interfaith Forum on Religion, Art, and Architecture, ARTS: The Arts in Religious and Theological Studies, Who Are You, My Daughter? In a pen and ink drawing made four years later (1637), Saskia lies in bed, supporting her head heavily on her hand, staring out with a weary and resigned expression. Reading the rest of the chapter it sounds like i might be wrong. And I heard a loud voice from the throne saying, “Behold, the dwelling place of God is with man. Neither shall sorrow, or crying, or pain, be any more: for the former things are gone away - Under the former heaven, and upon the former earth, there was death and sorrow, crying and pain; all which occasioned many tears: but now pain and sorrow are fled away, and the saints have everlasting life and joy. But then I am caught up short by reports of the morgues in Iraq filling up with bodies; of dead and wounded soldiers returning to our own country; of southern Lebanon in ruins; of children in northern Israel unable to sleep for fear of incoming missiles; of global warming and environmental destruction degrading the world we are leaving our children. Fifteen years ago I was contentedly painting Washington cityscapes and wooded landscapes, searching for the visual poetry of light, shape, and color. But text and image suddenly took on a terrible new meaning closer to home: the date was September 11, and I was carving this block when I heard, from my studio, the impact of the plane striking the Pentagon. I am a maker of images, and this is work I can do to bear witness to these sorrows. Last summer when participating in a two-week Calvin College seminar, I was providentially assigned to room with Margaret (Peggy) Adams Parker, a sculptor and printmaker who lives, as it so happens, just an hour south of me! Oh, that I knew where I might find him, that I might come even to his seat! It is as though the subject asserts itself, demanding depiction in a woodcut or sculpture. Students sometimes ask why artists make such images and why we take time to study them, since the subjects are so unsettling. Picasso forces us to confront the obscenity of civilian casualties (the destruction that we now describe, disingenuously, as “collateral damage”). So to keep me from becoming conceited because of the surpassing greatness of the revelations, a thorn was given me in the flesh, a messenger of Satan to harass me, to keep me from becoming conceited. To the victims of ergotism, the Crucifixion was a reminder that God suffered with them, for them; the Resurrection showed them what heaven would be like: not just a place where their sins might be forgiven but where their suffering bodies would be healed and made whole. ‣ Topical Bible ‣ Reading Ruth through Image and Text, Roundup: Modern Bible illumination; hula; First Nations baptism design; father-daughter waltz; Tamayo and Parker – Art & Theology, Roundup: Visual lament, shalom chant, song for the displaced, unfinished art, and “Roma” – Art & Theology, Book Review: Praying the Stations of the Cross by Margaret Adams Parker and Katherine Sonderegger – Art & Theology. Publication date: Oct 18, 2020. Has this not always been a way to open our minds to the uselessness of man's will over the will of God? He will dwell with them, and they will be his people, and God himself will be with them as their God. 23 Bible Verses about No More Suffering Revelation 21:4 ESV / 76 helpful votes Helpful Not Helpful He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away.” Visit the Bible online to search for words if you don’t know the specific passage your’re looking for. […] Also on display at the exhibit are some of Parker’s small-scale terracotta and plaster sculptures—a few of which I snapped photos of. Publisher: OpenBible.info. But I have seen, and I have also made, pictures of what heaven is not. And the smoke of their torment goes up forever and ever, and they have no rest, day or night, these worshipers of the beast and its image, and whoever receives the mark of its name.”. Deo gratias. Change ), You are commenting using your Twitter account. It takes place after the 1,000 years, in the New Heaven and New Earth. But the contrast between Grünewald’s Crucifixion and his Resurrection enables me to understand that the earthbound image can teach us about heaven simply by showing us what heaven is not. I didn’t want to limit the meaning of the print to one person or event; there are so many places and times when we urgently need someone to cry, “Enough!” I also wanted to acknowledge the reality that women—who must send sons and brothers and husbands to war, who bear disproportionately the consequences of wars and displacements—are often the ones who initiate the hard work of reconciliation. The recipient of numerous church and seminary commissions, Peggy majors on religious and social justice themes. He kneels, an expression of horror on his face, his outstretched arms recalling the crucifixion. Friends still ask me why I don’t go back to making those nice cityscapes. I still don’t like this image, and I don’t think I will ever respond instinctively to any such vision. ( Log Out / It is a place where human brokenness, erosion, and malignancy are healed. There will be no more sorrow There will be no more blood shed. To be honest, I’ve never thought much about heaven, at least in any systematic fashion. “Do not lay up for yourselves treasures on earth, where moth and rust destroy and where thieves break in and steal.
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