Leonard, who made his acting debut on Hi8 and CP-16 cameras two decades ago in The Blair Witch Project, says, “If we were shooting Blair Witch today and the documentary filmmakers within the movie still wanted a film aesthetic, we’d be using an old 16-mm camera and iPhones to shoot each other, and it wouldn’t just be one person shooting the behind-the-scenes stuff, it would be all three of us shooting each other because that’s the society we live in.”, Bonjour Paris! You can use higher frame rates, higher bit rates, shoot in 4K, and have manual control over the image. Even so, it’s not just inertia that’s making iPhone-filmed movies outliers among major projects; some technological limitations are still relegating releases like High Flying Bird to the realm of curiosity. Some of it looked OK, and some of it didn't. Director George Miller, inspired by Tangerine, has also expressed a desire to make a movie on an iPhone. She eventually finds herself in a psychiatric hospital where her grip on reality gets worse until she finds herself on the verge of a breakdown. The profound depth of field that you get in every shot, where every single piece of the frame is in focus, made for an uncomfortable experience in a way that I think served the movie quite well.” Similarly, Tangerine’s unorthodox production style dovetailed with its boundary-breaking cast, and in The Florida Project’s denouement, shedding the bonds of the more staid (albeit striking) setup used throughout the film mirrored the liberation of its child characters. The famously traditional Nolan asked when Soderbergh would come back from the dark side and shoot on celluloid again, to which Soderbergh responded dryly, "Around the time Chris starts writing scripts in pencil.". An agent slams a mug down on his desk, and the camera jiggles. It was recorded in 4K using the Filmic app. Soderbergh premiered the flick Sunday in snowy Park City, Utah. In 50 years of filmmaking, he says he’s “never been happier“ than when shooting with iPhone! The iPhone movies of Steven Soderbergh. Using FiLMiC Pro and minimal equipment, she made the film for “about £4,500,” whereas “a decent professional [camera] kit” alone, she explains, would have cost her £5,000 to £6,000. “The Film London budget I had was only £2,000, and I put a bit of my own money that I’d won from a prize into the pot,” she says. Another movie shot on an iPhone, Tangerine, felt grounded in the bustling LA streets as the city and its teeming extras felt like characters in the film. Casting actors like Holland, Beetz, and MacLachlan is one way to elicit high-level performances, but an unobtrusive smartphone can also pay dividends in that department, even for experienced actors. They can be difficult to film in low light conditions, have a wide depth of field and are not good at shallow focus. “There’s just something about shooting on location and being close to your actors that’s a perfect antidote [to] the sort of like ‘Everything’s shot on a green screen, the CGI is added in after the fact so the actors don’t even really know where they are in the room’ [style],” Barham says. He uses it everywhere. And when fellow director Christopher Nolan challenged him to go back to shooting on film, Soderbergh fired back that that would be like "writing scripts in pencil.". In some scenes, extras chatting in the background are a little distracting, but one of the strengths of keeping everything in focus is that it connects the characters to the setting. … At the time I was basically like a post-film-school brat, and the idea was, ‘Hey, this would make a great B-roll camera.’”, Barham explains that FiLMiC Pro’s goals are “to be 30 to 70 percent better than whatever is the cutting edge coming out of Cupertino or Samsung or Google” and to “replicate all of the functionality that you would find” in a $20,000 to $40,000 camera, via increased control of aspect ratio, color grading, and other advanced settings that most smartphones manipulate automatically. We delete comments that violate our policy, which we encourage you to read. High Flying Bird expanded Soderbergh’s budget all the way to $2 million, despite the presence of well-known actors including André Holland, Zazie Beetz, and Kyle MacLachlan. Gradually, though, the cameras made gains. Finally, smartphones allow directors to capture their cast from adventurous angles and in situations and settings that would otherwise be prohibitive for logistical reasons. No professional footage of the grudge match exists, but videos shot by kids in the crowd and posted on social media garner many millions of views, without the NBA’s imprimatur or the gloss of a telecast by the league’s big-budget broadcast partners.
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