Warhol, who admired Tintin's "great political and satirical dimensions",[165] said, "Hergé has influenced my work in the same way as Walt Disney. The work was subsequently published with the correct translation of the title. The stories feature slapstick humour, offset by dashes of sophisticated satire and political or cultural commentary. [123] The show was successfully revived at the Playhouse Theatre in the West End of London before touring (2006–2007)[124] to celebrate the centenary of Hergé's birth in 2007. Captain Haddock was played by Leo McKern in Series One and Lionel Jeffries in Series Two, Professor Calculus was played by Stephen Moore and Thomson and Thompson were played by Charles Kay. [166], Hergé has been lauded as "creating in art a powerful graphic record of the 20th century's tortured history" through his work on Tintin,[119] whilst Maurice Horn's World Encyclopedia of Comics declares him to have "spear-headed the post-World War II renaissance of European comic art". Hergé mixes real and fictional lands into his stories. Je ris de me voir si belle en ce miroir / Ah! Tintin and the Black Island. [144] Written by the pseudonymous Jack Daniels, Breaking Free (1989) is a revolutionary socialist comic set in Britain during the 1980s, with Tintin and his uncle (modelled after Captain Haddock) being working class Englishmen who turn to socialism in order to oppose the capitalist policies of the Conservative Party government of Margaret Thatcher. [151] [51] Hergé also felt no compunction in admitting that he had stolen the image of round noses from George McManus, feeling they were "so much fun that I used them, without scruples! In 1995, the Monnaie de Paris (Paris Mint) issued a set of twelve gold medallions, available in a limited edition of 5000. The plays were performed at the Théâtre Royal des Galeries in Brussels. However, concerns over the number of dead animals led Tintin's Scandinavian publishers to request changes. [154], The Belgian Comic Strip Center in the Brussels business district added exhibits dedicated to Hergé in 2004. Whilst in the city however, Tintin and Haddock discover that a group of villains also want possession of the ship, believing that it would lead them to a hidden treasure. Book 10 was the first to be originally published in colour. The hot-tempered Haddock uses a range of colourful insults and curses to express his feelings, such as "billions of billious blue blistering barnacles" (Mille milliards de mille sabords de tonnerre de Brest in the original version) or "ten thousand thundering typhoons". Five feature-length Tintin films were made before Hergé's death in 1983 and one more in 2011. [36] Tintin's iconic representation enhances this aspect, with Scott McCloud noting that it "allows readers to mask themselves in a character and safely enter a sensually stimulating world".[37]. The stamps were jointly issued in the Democratic Republic of the Congo. Public prosecutors investigated, and a criminal case was initiated, although the matter was transferred to a civil court. Publication dates are for the original French-language versions. [98], Drawing on André Maurois' Les Silences du colonel Bramble, Hergé presents Tintin as a big-game hunter, accidentally killing fifteen antelope as opposed to the one needed for the evening meal. He set the country in the Balkans, and it is, by his own admission, modelled after Albania. His research for the storyline was noted in New Scientist: "The considerable research undertaken by Hergé enabled him to come very close to the type of space suit that would be used in future Moon exploration, although his portrayal of the type of rocket that was actually used was a long way off the mark". "[144] Similarly, Canadian cartoonist Yves Rodier has produced a number of Tintin works, none of which have been authorised by the Hergé Foundation, including a 1986 "completion" of the unfinished Tintin and Alph-art, which he drew in Hergé's ligne claire style. The first Tintin postage stamp was an eight-franc stamp issued by Belgian Post for the 50th anniversary of the publication of Tintin's first adventure on 29 September 1979, featuring Tintin and Snowy looking through a magnifying glass at several stamps. Again based upon an original script, once more by André Barret, it was directed by Philippe Condroyer and starred Talbot as Tintin and Jean Bouise as Haddock. The series is set during a largely realistic[3] 20th century. Dissatisfied with this, Hergé wanted to write and draw his own cartoon strip. It aired in the US on HBO. She was first introduced in King Ottokar's Sceptre and seems to appear wherever the protagonists travel, along with her maid Irma and pianist Igor Wagner. In a world of. To further the realism and continuity, characters would recur throughout the series. des Hannetons (The Adventures of Totor, Scout Leader of the Cockchafers) for the Scouting newspaper Le Boy Scout Belge (The Belgian Boy Scout). Tintin is a Pop Art idol", "Hollywood, porte d'entrée de Tintin pour séduire l'Amérique", "Tintin 'racist' court case nears its conclusion after four years", "Tintin et l'exposition de la ville, Bruxelles", "Effort to ban Tintin comic book fails in Belgium", "Confused by the cult of Tintin? des Hannetons, List of The Adventures of Tintin characters, List of The Adventures of Tintin locations, The Adventures of Tintin: The Secret of the Unicorn, Tintin in the Indies: The Mystery of the Blue Diamond, Tintin – Le Temple du Soleil – Le Spectacle Musical, banned all NATO aircraft bases from France, How to tell a Thompson from a Thomson 2006, The Adventures of Tintin go digital – Tintin in the Congo in English, "Interview with Michael Turner and Leslie Lonsdale-Cooper", "Casterman Makes Tragic Changes to Tintin: Hyslop's Handlettering vs. "Pretty" Computer Font", "TINTIN / A Brussels Airlines aircraft in Tintin colours", "Brussels attacks: how Tintin became a symbol of solidarity on Twitter", "Anybody who is constructing a comic strip would be crazy not to learn from Hergé", "Tintin: Heroic Boy Reporter or Sinister Racist? [20], For the third adventure, Tintin in America, serialised from September 1931 to October 1932, Hergé finally got to deal with a scenario of his own choice, and used the work to push an anti-capitalist, anti-consumerist agenda in keeping with the paper's ultraconservative ideology. Hergé's Adventures of Tintin (Les aventures de Tintin d'après Hergé) (1957) was the first production of Belvision Studios. (15.0 MB) 06. [1], Tintin began appearing in video games when Infogrames Entertainment, SA, a French game company, released the side scroller Tintin on the Moon in 1989. The detectives usually wear bowler hats and carry walking sticks except when sent abroad; during those missions they attempt the national costume of the locality they are visiting, but instead dress in conspicuously stereotypical folkloric attire which makes them stand apart. [128] [67] 1958's The Crab with the Golden Claws was the first to be published with Hyslop's lettering. [68], On 1 June 2006, the Dalai Lama bestowed the International Campaign for Tibet's Light of Truth Award upon the Hergé Foundation, along with South African Archbishop Desmond Tutu. [103] This proved controversial, as the character exhibited exaggerated, stereotypically Jewish characteristics. [143], During Hergé's lifetime, parodies were produced of the Adventures of Tintin, with one of the earliest appearing in Belgian newspaper La Patrie after the liberation of the country from Nazi German occupation in September 1944. Contributors to Tintin magazine have employed ligne claire, and later artists Jacques Tardi, Yves Chaland, Jason Little, Phil Elliott, Martin Handford, Geof Darrow, Eric Heuvel, Garen Ewing, Joost Swarte, and others have produced works using it. Despite the free hand Hergé afforded the two, they worked closely with the original text, asking for regular assistance to understand Hergé's intentions. Written and directed by Claude Misonne and João B Michiels, the film was a stop-motion puppet production created by a small Belgian studio. Many despise them, seeing them as an affront to Hergé's work. [108], The Adventures of Tintin (1992–93) radio series was produced by BBC Radio 4. The moon rocket is based on the German V-2 rockets. [c] Hergé redrew this in 1946 to show a lesson in mathematics. [101], Hergé altered some of the early albums in subsequent editions, usually at the demand of publishers. Tintin and the King Ottokars Sceptre. [163] Most notably, Hergé's ligne claire style has been influential to creators of other Franco-Belgian comics. As computer graphics technology improved, video game experiences improved. [69], The study of Tintin, sometimes referred to as "Tintinology", has become the life work of some literary critics in Belgium, France and England. The studios produced eight new Tintin albums for Tintin magazine, and coloured and reformatted two old Tintin albums. Sur les traces de Tintin (On the trail of Tintin) (2010) was a five-part documentary television series which recaps several albums of the book series by combining comic panels (motionless or otherwise) with live-action imagery, with commentary provided. [29] For the 2011 film, see. The Adventures of Tintin (French: Les Aventures de Tintin [lez‿avɑ̃tyʁ də tɛ̃tɛ̃]) is a series of 24 bande dessinée albums created by Belgian cartoonist Georges Remi, who wrote under the pen name Hergé. If they were, they would respect his wishes that no one but him draw Tintin's adventures". All Comics, Character Designs and Logos are © to their respective copyright holders. [142] This page was last edited on 19 November 2020, at 23:57. [121], In the late 1970s and early 1980s, two Tintin plays were produced at the Arts Theatre in the West End of London, adapted by Geoffrey Case for the Unicorn Theatre Company. [150] "[52], During the extensive research Hergé carried out for The Blue Lotus, he became influenced by Chinese and Japanese illustrative styles and woodcuts. The first Tintin shop in Southeast Asia opened in Singapore in 2010. [114] The movie was subsequently adapted into a comic album made up of stills from the film.[115]. [58] Due in part to the large amount of language-specific word play (such as punning) in the series, especially the jokes which played on Professor Calculus' partial deafness, it was never the intention to translate literally, instead striving to sculpt a work whose idioms and jokes would be meritorious in their own right. Geoffrey Case (adapted), Tony Wredden (directed): sfn error: multiple targets (2×): CITEREFMcCarthy2006 (, sfn error: no target: CITEREFBuswell1988 (, sfnm error: multiple targets (2×): CITEREFMcCarthy2006 (, The Adventures of Tintin (disambiguation), Les Aventures de Totor C.P. 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