As already noted, when compression has taken place, it may be necessary to increase the overall gain to restore the apparent program level. reducing the music level to make a “speech-over” announcement. Introduces a HPF at 250Hz to the VCA side chain signal. Shop our hi-fi playback equipment on our new USA Webstore. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. Continuously variable from 6 dB to +20 dB. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. When the LINK switch is engaged on two 543 modules and settings are approximately the same values, GAIN reduction on both channels will be the same to preserve stereo balance and position. Behind the scenes at Moog's newly updated recording facility. For example, the level of music through channel A can be controlled by speech on channel B, i.e. Live recordings with Molly Burch, plus an interview with producer Danny Reisch. Hi I am going to be starting my own 500 series rack and would like to know more about the different rupert neve design pre-amps. Rupert Neve is a name that's been around in the recording world for quite a while now, and it holds a lot of weight. This allows the compressor to disregard sustained low frequency content. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). Rupert Neve Designs: Portico 517 500-series preamp/DI/compressor, Portico 543 500-series compressor Reviewed by Marc Alan Goodman, Daniel Sclett. When disengaged, it follows just RMS. This control is useful any time two signals derived from the same source are combined. When engaged, the 543 uses a combination of peak and RMS (average) detection to determine level. Output level meter covers the range from -10 to +22 dBu and above which is regarded as overload. Based on the Portico 5017 Mobile Pre, the Rupert Neve Designs 517 provides world-class, transformer-coupled preamp, compressor, and DI circuitry, with Vari-phase, Silk and DI/mic blending capabilities in a 500 series model. Continuously variable from 100mS to 2.5 Seconds. For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow-sounding results. Incorporating the 517′s powerful preamp, the 5012′s universally useful sweepable high pass filter, and the transformer-saturating power of a variable silk circuit derived from our flagship Portico II Channel, the 511 is a Rupert Neve-designed mic pre for the masses. Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. I was originally going to get the 511 preamp but am now thinking more about the 517 because of the extra features. Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled micpreamp, compressor and DI circuitry with Vari-phase, “Silk” and DI/mic blending capabilities – all in a single 500 series module. Continuously variable from 36 dB to +22 dB. The 517’s mic pre – based on the TEC Award-winning Portico 5017 – provides up to 66dB of gain, polarity-reverse and phantom power switches, and the “Silk” circuit for a more vintage vibe. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned. We don't know when or if this item will be back in stock. This technique is also extremely useful when combined with the internal blend control on instruments. Rupert Neve Designs, LLC was founded by Mr. Rupert Neve on passion, experience and a desire to craft timeless musical tools for the 21st century. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. Measured Channel to Channel:Better than 90 dB @ 15kHz. The mic pre's high input headroom will take an absolute beating with level from your highest output mics, providing an open, bold tone that your interface probably can't do by itself. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection. In addition to the standard polarity reverse, the 517’s vari-phase control may be used to adjust phase incrementally. Currently unavailable. Di, compressor and variphase it sounds like more of a bargain. A new digital reference from the master of analog. The Rupert Neve Designs 517 is a ridiculously versatile 500 Series module, a one-and-done solution for tracking both mics and direct instruments simultaneously. 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